much hyped previously unreleased remix of blackpocket (steve spacek) track from producer #1 album.
d-bridge keep things in-house giving his brothers production a tough stripped down refix. simple yet effective with a brooding bassline, glistening pads and spiky synths combine with brutal drums to build a deep, ghostly backdrop for spaceks fragile vocals to glide over. a favourite in sets for the autonomic crew as well as a regular feature on their highly-lauded podcast series. limited to 500 copies!

the classic ghostly release machines for lovers reissued with a brand new remix from adonis. a brand new remix of the strenouse life done by chicago legend steve poindexter. classic techno house redone. debut on the +++ label. strictly limited (300 only, no repress) stamped white label.

the third komisch release is by the parallel. with a string of digital releases to his credit, this talented new producer now makes his vinyl debut.
>abyss< gets down to business,as spacey textures melt into billowing chord sequences, underpinned by spiky claps and intricately woven pitchbent percussion. by the time the massive kick arrives, the seduction is complete.
>mind reverse< is focused on the floor, its stomping beats and metallic, robotic synths becoming increasingly more claustrophobic until the track breaks into a ghostly breakdown.
big with: dave clarke, surgeon, kirk degiorgio, peter van hoesen, serge (clone), samuli kemppi, cio d or ...

cybin returns with these two tasty smashers for his very own lockdown imprint. soundbwoy intros with eerie strings and ghostly effects, creating a calm before the storm effect, as once you hear the infamous soundbwoy... vocal you know its all over!

feedback agaric - club tracks vol.1:
karotte : a seite ist super!
shonky (freak n chic): full support for revuelo, play for sure. like the vibe, the bass, the way it runs. good job
ray okpara (oslo): thx alot man, like your club tracks vol.1 ,) rock on bro...
ben parris (foundsound): these tracks be hot!
derek plaslaiko (ghostly): revuelo is a fucking jam dude!!! will be playing the shit out of it!!!
mark henning (soma): bombs!!! will chart em and play em both :) rock on!
sean o neal (foundsound): i love this release! i will play it for sure! and catchy title!
perc (perc trax): thanks for this, runner is a great track for me.
signal deluxe (persona): thanks a lot for sending your new release, its fucking bomb dude!!!kreon (below): loooove em...great job once again :)
carlo (metroline): thanks for the tracks once again, runner is the real business will defo play it this saturday..
nicolas duvoisin (siteholder): i will play it for sure, nice summer tracks!!
mr statik (perplex): oui oui oui!! great work, relentless grooves, can t wait to try em out!
kai limberger (plus+): revuleo is a really cool track! i really like the way it grooves! thumbs up
gummish (trapez): i m playing the tracks especially runner nice release!
additional dj support: adam beyer, alexi delano

forward strategy group follow up their seriously killer debut 12inch release >transect< with another fresh slab of monolithic, bass heavy techno entitled: >applied generics<. with support from surgeon, ben sims, marcel heese (tresor), samuli kemppi (berghain), grovskopa (token, audio assault) ++ applied generics has already booted a sizeable hole in the ceiling @ clubs worldwide. this new release was featured as part of ben sims and surgeons frequency 7 set on mary anne hobbs radio 1 show and as part of surgeons resident advisor podcast. the first offering is a skanking slice of techno with a shuffled re-sequenced edge delivering a cortex scrambling mess of barbed wire sounds wrapped around a linear, tracky beatstructure. this is a unique cut with a very distinct sound somewhere between berlin minimalism and dark wave uk techno. on the flip deep rumbling textures, ghostly tones and spectral, metalic chords lie in wait on the second offering, which takes on a more berlin influenced deep style pitching it somewhere in between basic channel and sandwell district. big

if there s one lesson we have learned from 2008, it s that techno is not nearly creepy enough. on creep ep, germany s kevin over injects pitch-black dread into the heart of his distinct brand of techno. steamrolling bass-lines, droplets of toxic rain, and ghostly sirens all coalesce into swinging, propulsive grooves that stretch into a never-ending night. mr. over demonstrates his knack for creating arrangements that are both melodious and spacious, crafting an almost seven minutes ride through some of the most banging and infectious techno tracks to date, not to mention some dubby business on surge that would leave lee perry envious. at its most compelling, creep ep paints a picture of a raging warehouse party at the edge of your wildest dreams. including killer remixes by pascal vert and john lagora

after their well received debut album on internasjonal, windsurfs here to remind you about their brilliance. one of the standout tracks off their album, bird of paradise now gets a reworking from their scandinvian musical cousins studio who not only manages to bring it to the dancefloor, they even fit in a week long holiday to turkey as well....yamaz!!! to make the package complete, the beat broker(of broker dealer on ghostly)turns out a nice and deep house version of light as daylight. tasty indeed...

pezzner is back with this, his third ep for freerange, following on from the almost here and other lover releases that kicked off his solo alter ego. he is now in demand for his remix skills with upcoming remixes including mike monday and mark farina for om, lusine for ghostly international and josh wink for shaboom. its easy to hear why he is being heralded as the man to rival dave taylors earlier house productions with his totally unique sound and floor friendly arrangements which guarantee peaktime plays from djs across the board - justin martin remix

great spectral rec logo shirt ... thank you to the ghostly gang

great spectral rec logo shirt ... thank you to the ghostly gang

airpistol is taken from todds album coming out on ghostly internationl this spring and is first time availabel as single 12 for european release

ghostly and klang artist hieroglyphic being with new phreaky stuff !!

supported by prins thomas, ame, henrik schwarz !! ypsilanti, michigan based dj/producer todd osborn (ghostly international, spectral, soundmurderer), detroit’s man of many hats, dives deep into japans culture for >bingata<, his first release for running back. the title track is house-not-house between >eurodans< and glenn underground’s early works. also includes >i think it’s me<, a nice cut-up gem in the vein of sound stream. pink alert, the project of running back owner gerd janson and his studio partner curio, have stripped things down in their murky remix. hot like chip fat! limited to 750

pulsating subbass, stumbling percussion and the metallic snare are the leading elements of sand (a1), the opening-track of the record. over constantly mutating rhythmical patterns a ghostly synth-pad comes in from time to time, hovering on top of everything

ultraphat remixesy package, contains four killer remixes by slam (soma rec), audion (matthew dear, spectral, ghostly), radio slave (rekids..) , the field (kompakt).

having recorded for a variety of labels (including axis/6277, ghostly/spectral, creme, playhouse, klang elektronik, mathematics recordings), and as former part of the dirty criminals (gigolo), jamal moss has long been a part of the chicago house/techno scene as a producer, promoter and dj

this time again offering some delightful grooves that will be appreciated both by the dance floor crowd and home listeners. nicely starting off the ep is berlin based greek producer ekkohaus - on his second tune for the label with a very detroit-influenced track, massive elements of groove and funk, exploding half-way through and teasing the listener as the snare/clap comes in on the half beat. this tune will be largely enjoyed by both techno and house fanatics. next one on the list is italian marco shuttle, offering a slightly different approach with his deep, long & repetitive journey of soft synth chords and elegant elements that remind of cadenza releases, providing a perfect tune for the after-hours or stylish warm up. on the flip we find ourselves with a huge tune from queen atom, perfect for the peak time hours in those big packed club rooms: a combination of detroit-esque funk, with trippy back melodies and percussive 909 toms waving through the atmosphere, resulting in a dark yet groovy slow-tempo techno piece. strikingly finishing off the ep is argentinean artist rudolf, already known for his previous releases on sthlm, who delivers an enormous experimental track with intensely layered vocal melodies: eerie, ghostly and combined with many industrial aspects, the result is an immense bubbly, watery track that will indisputably drive clubbers insane throughout the globe.

with multiple releases on background records, scape, and ghostly/spectral already under his belt, alan abrahams (aka bodycode and portable) presents a fabulous fusion of ultra-deep house and afro-futurism on his yore debut a document of an african past

this is the first ep on flash recordings that doesnt feature label owners florian meindl and oliver koletzki. but they have made sure to look for a quality replacement. no one else than cologne-based artist daso - renowned for his previous releases on labels like mbf, session deluxe, ghostly and connaisseur - teams up with his buddy pawas to create their first release >night express< on flash. pawas has just had his first record out on adam krolls and markus müllers imprint squonk records and has been a dj for 9 years, moving from india to cologne one year ago. on the a-side daso & pawas foreshadow the summer with the track >tgv<: a beautifully deep melody that swings along a powerful loop. >ice< - the name of germanys high-speed train is clearly more electro-driven. a slightly broken beat with a thumping organic bassline pumps above an ever-changing soundscape that culminates in some euphoric high-pitched synths. never too much, this is a perfect example for elegant understatement. also on the flip side is the track >bummelzug<, which translates as >very slow train< in german. this is a dub-techno masterpiece. deep dubs and arpeggios flow over the simple beats with a great clappy snare drum. dreamy, hypnotic, melodic! flash recordings has just become fit for the summer

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

the line in between will be released as three vinyl singles and a cd album. the second single includes two tracks from the album, >lost< and >panamuno <,with two brilliant remixes by zentex and 3 channels. the original version of >lost<is all about minimal hi-tech funk with a jackin flavour, while zentex s (kickboxer)soulseek remix drives on ghostly melodies and a haunting soundscape. the flipside tune panamuno is filled with warm synths, beautiful strings and a hypnotic melody,yet again by the frozen north grand wizard himself.3 channels remix thrives on controversy and begins where the original version ends. a real gem for the likes of progressive approach! martin landsky,loco dice..

taken from the tribute to robert moog album. an amazing track from bangkok impact (probably our favorite on the album). great building disco track in the vein of lindstrom. plus a rocking uptempo pieve by lowfish (cocoon/ghostly). plus a massive uptempo model 500 kind of techno/electro track by luke eargoggle. three great tunes on one piece of vinyl! must!

new and remixed tracks by this spiritual, cosmic jazz group. comes with a cool percussive 10 minutes long (tech) house remix on the flipside by matthew dear (aka audion from spectral / ghostly) for the minimal fans of villalobos & luciano.... anthem, includes bonus locked groove

incl remixes by mark & john big in dj mag !!! + support by charles webster, rob mello, franco de mulero, markus enochson, john digweed & jesper dahlbäck , version 1 is an extended etheral dubbed out trip, full of the funkiest bass around and some ghostly minimalist melodies. on version 2 the drums begin in an almost military fashion as the deep electronic bass pulse marches through the mix. mark o sullivan, from the legendary dk7 and the mighty quark, teams up with john dahlback to deliver dirty tech-house..

modern deep and atmospheric minimal tracks …spectral / ghostly artist!!

minimal klicker hacking tracks on plus 8 records, frisch (by matthew dear, spectral / ghostly)

digipack cd, der wahl-new-yorker chrome sparks veršffentlicht vielseitiges debŸtalbum auf counter records! chrome sparks (aka jeremy malvin) wei§, wie er seine tracks im besten licht stehen lŠsst. sein selbstbetiteltes debŸtalbum, das via counter records (ein ninja tune-sublabel) erscheint, sticht heraus mit einem funkelnden sound: eine euphonie aus hiphop, house und hell leuchtender arbeit am synthesizer. die platte ist das endergebnis jahrelanger arbeit in malvinÕs marinewerft (seinem studio in brooklyn) und einer abgelegen hŸtte nšrdlich von new york. allein dort hat er einen ganzen monat allein zugebracht, um den ablenkungen der stadt zu entkommen und um diesen prozess zu destillieren, was anschlie§end zu einer periode intensiver kreativitŠt wurde. auf dem album selbst finden sich zusammenarbeiten mit dem australischen duo kllo (ghostly) und body languagesÕ angelica bess (die auch bereits mit machinedrum kollaborierte). das album ist sowohl ergebnis eines obsessiven produktionsansatzes als auch Ÿber die rastlose jagd nach neuen ideen. sein kreative mentalitŠt wurde sowohl durch live-auftritte als auch studiogegniedel geprŠgt. sie ist das grundgerŸst, das es ihm erlaubte, so viele diffuse ideen wirklichkeit werden zu lassen, die schlussendlich in einem hervorstechenden und vielfŠltigen debŸtalbum resultieren.

der wahlberliner dauwd al hilali, der in den letzten jahren vor allem durch seine ep-releases auf labels wie ghostly international oder kompakt auffiel, veršffentlicht nun sein debŸtalbum -theory of colours- auf ninja tunes tochterlabel technicolour. inspiriert von legenden der 50 & 60er jahre wie terry riley oder raymond scott, nahm dauwd einen gro§teil des albums Ÿber den zeitraum eines jahres in den berŸhmten sonar traffic studios in utrecht auf, in dem eine der grš§ten europŠischen sammlungen an vintage synthesizern und anderem modular-equipment stehen. fertig gestellt wurde das 7-song starke album letztes jahr in berlin, wo er auch die berŸchtigte african acid is the new future party co-organisiert, welche er als basis zwischen seinen dj-touren und festivalauftritten auf der ganzen welt nutzt. - cd: digipak

there arenÕt many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabotÕs hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kittÕs bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive.

special edition 2 cd digipack , includes debut album: * on acid* on cd2 for the first time ever on cd!
when recondite, aka lorenz brunner, emerged with his debut lp for acid test (2012s on acid), we were still learning about the german producers inward-looking dance floor sound. a few years later, his sinewy jams have proved near universal -- like an underground zelig, hes fit perfectly everywhere from r¿dhŒds dystopian to ghostly international and innervisions. acid test also allows recondite the chance to indulge his more outrŽ tendencies and a welcomed return it is.

nach releases auf mule, ghostly und ki records erscheint das vierte album des kšlner elektronikers till rohmann aka glitterbug auf gold pandas notown-label. ein grund fŸr diese entscheidung war gold pandas brillanter, metropolen-erweckender, von reisen beeinflusster zweitling half of where you live (2013), der glitterbug ma§geblich zu den deepen und erhabenen klanglandschaften auf dust inspirierte.

stephan laubner aka stl is a myth. a legend. releasing music on perlon, smallville and his own label something, he became a secret star to the worlwide scene of contemporary techno and house music. but still he seems to be an unknown person. on his new album release on smallville records, stl is back with a deep excursion into dubbed out science of sound.

grandioses deep-techno album von glitterbug, der bereits tracks auf einschlŠgigien labels wie mule, notown, ghostly und ki records veršffentlicht hat